It's important to note that while what Moe says is true, at the
actual trial, the Internet archival data was
NOT in fact admissible as evidence.
"However, at the actual trial, district Court Judge Ronald Guzman, the trial judge, overruled Magistrate Keys' findings, and held that neither the affidavit of the Internet Archive employee nor the underlying pages (i.e., the Telewizja Polska website) were admissible as evidence. Judge Guzman reasoned that the employee's affidavit contained both hearsay and inconclusive supporting statements, and the purported webpage printouts themselves were not self-authenticating."
http://en.wikipedia.org/wiki/Wayback_MachineAs this was part of the final determination, this is the actual precedent.
It's also especially relevant in that even if such archival evidence is accepted, we have this court case that shows that the evidence might be unreliable.
Furthermore, even if later cases haven't challenged the veracity of "archival" evidence, this does not dilute the value of this case as a precedent.
That may only mean that past defendants chose not to use this case in their arguments, or weren’t aware of it.
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I still think that the weak contractual agreements between artists and the retailers will be the primary defence against trolls in the forseeable future.
However, it's nice to have the above defense as a back-up.
Another startling fact is that since it appears that many agreements made between Getty and their artists aren't signed, it leaves both the artist and Getty on questionable legal grounds.
Imagine if an artist and Getty had a dispute. Picture a "breach of contract" dispute wherein nobody has actually signed a contract.
What a mess that would be.
S.G.